Weird Science (1985)

Well, nobody was more surprised than I when The Flower said she wanted to see this one again. I was barely on board six months ago about taking them to see it the first time. I’m not exactly the anti-Ready Player One—though I will allow to a certain degree of suspicion when it comes to things from the ’80s (and surrounding years). But not only did The Flower come to see it again, The Boy and His Girl joined us.

Go figger.

Again? Yes, again.

But the thing about Weird Science is that it’s just plain dumb fun. It’s not really trying to convey any serious message. The closest it comes to a message is something like “Lighten up a little. Be who you are. Be sincere and the chicks will dig that.” It’s probably not even very true, and most certainly pandering to the angst-ridden teen boys of the day—although, also girls, since the little girl love interests are (obviously) intimidated by Kelly LeBrock.

Part of the appeal for The Flower, of course, is Kelly LeBrock, because The Flower thinks ’80s fashions were really, really, really dopey and childish, “Like a kid got into her mom’s jewelry box” is I think how she describes the accessorizing craze of the decade. But she allows that Ms. LeBrock looked pretty good, even for having been stuck in the ’80s.

Yeah, that's...something.

Ms. LeBrock may simply be genetically incapable of looking bad, however.

I would argue that the fashions aren’t really any better, and the best scenes don’t feature KLB in much of the way of clothes at all, and she probably wouldn’t argue. Although the evening dress she wears is very nice.

I probably liked it a little more this time than last, in fact. The Boy liked it a little less, he said, because there was no element of surprise. (The movie relies heavily on constant escalation for its comedy and suspense.)

Well, hell, there aren’t a lot of wacky teen sex comedies from any era that hold up after 30 years, so put this one in John Hughes’ “W” column.

What? Who DOESN'T wear a bra on his head from time-to-time?

It’s a movie that respects its characters’ inherent dignity.

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