This one had a lot of different titles. It showed up as Rosebud at the theater but I think I saw it as “My Name is Rose” and “Her Name is Rose”. When I translated the characters online, Your Name Is Rose is what finally came out.
It’s about a girl named “Rose”, duh. It’s 1978 and a chance cancellation leads to this poor factory girl singing in a local dive. She gets spotted by a talent agent, but also wins the heart of a young medical student when the police crash the place because…well, because it’s Korea in the ’70s and that was a thing.
She has a shot at glory but a chance rainstorm leads to sex…presumably—this isn’t a western movie where you’re going to see things (pace Handmaiden)—and her career is ruined when she refuses to have an abortion. Her doctor boyfriend has already gone to America at the insistence of his father who doesn’t want him involved with a factory girl, and he’s not even aware she’s pregnant. Meanwhile, Rose struggles by as a single mother, constantly dedicating and re-dedicating her life to her daughter.
It reminded me of Mildred Pierce. It’s a sort of melodramatic soaper that relies on class distinction as well as an unexplained and inexplicable pride. Rose is very proud. She always does what she wants, at least until her daughter comes along. And even then, it takes a big scare to lure her away from her dreams of music. When the doctor re-emerges and discovers he has a daughter, Rose is recalcitrant and refuses to admit that even is her father.
Meanwhile, through this journey, there’s a guitarist and songwriter who fell in love with her when she showed up to her talent agent, and tags along for the rest of her life, unrequited. The story is actually told in flashback as he shows up at her…beach music school?…with a bunch of kids. I feel like much was cut from this movie (which is over two hours) because when we open, the jilted lover has an album the two of them on it, and there isn’t any point in the movie where they actually had any success to make a record. There are a few other things that feel “missing” but it didn’t bother us much.
Interestingly—I’ve never seen this in an American movie—one set of actors is used for the ’70s and ’80s segments of the film, and then in the ’90s, when the characters are middle-aged, a different set of actors fulfill the main roles. Usually, Hollywood movies try to use makeup to go one way or the other, and not very successfully.
Another thing which was kind of nice was that the movie teases a Mildred Pierce-type sad ending but has a last minute redemption with an almost lightly comic stinger. It’s like melodrama without being so…melodramatic. “These things happen”, it says, “and if you’re not careful, they’ll happen again.”
We both felt it dragged a little in the middle. The characters and events are always interesting, which keeps you from getting bored, but the movie (like Rose) feels unfocused at times. We groaned when we saw Rose take a promising job in the finance sector because we just saw Default and we knew that wouldn’t end well. We had no idea how badly it would end for her.
It’s not a super driven, highly focused narrative but it was still quite enjoyable. We followed it up with the patriotic Mal-Mo-E.