The big problem with seeing three movies in a row, if you’ve never done it, is that typically the third movie has to overcome the fact that you’ve just watched two previous movies. And in the case of The Negotiation, we had just seen two 2+ hour-long historical epics, so the relative prosaicness of a contemporary crime thriller was going to suffer a bit no matter what.
Our introduction to the lead negotiator, Ha Chae-yun (Son Ye-jin, Be With You) is by her leg. She’s getting out of a car in a short skirt, and her high-heeled clad foot hits the pavement awkwardly. She was on a date when they called her in. Apparently, she’s been thinking about leaving the force after a bad incident, but she gets called in to save the day here. It goes very poorly, indeed, leading her to resign for real and spend the next few days lounging around in tight tee shirts. (This could be mere exploitation—Ms. Son is quite lovely—but it’s a plot point of sorts, as is Chae-yun’s failure in the opening sequence.)
Her boss demurs on her resignation, telling her to take a few days off and they’ll talk when he gets back. But even her time off is interrupted, as her boss (who I think is the God of Violence in the Along With Gods movies) is kidnapped and the kidnapper demands to see her. “I heard you were hot,” he sniffs disdainfully.
Over the course of the next 90 minutes or so, Chae-yun and the kidnapper engage in their verbal jousting, with the negotiator ostensibly trying to buy time till a S.W.A.T. team can get into position, but really doing investigations behind the scenes with her team—most notably Sang-ho Kim, who plays a kind of goofy schlub who ends up putting a lot of the pieces together and being the first on the scene.
It turns out that there’s something much bigger afoot than a simple kidnapping, and there are no coincidences. I hope this doesn’t constitute a spoiler, but there is some corruption at the highest levels of government! In a Korean movie!
We enjoyed it, despite it being the third movie, and it was our least favorite. It was a little harder for us to tangle out the plot, because the villains (beyond the kidnapper) are essentially sitting in a boardroom the whole time and machinating. We also felt it suffered from the fact that Chae-yun is never shown as being especially competent. It’s an artifact of the plot which requires her to be unaware of forces arrayed against her, which forces are ultimately revealed, but nonetheless you do sort of think, “Well, maybe police work isn’t right for you, dear. Modeling?”
I kid. While Son Ye-Jin is certainly beautiful, she also manages to project authority at times, and a struggle when bad orders come down from on high. The plot ties together well and there is a typically strong moral sense, that one who is in honest and competent ultimately has a larger responsibility to all (given that the highest levels are invairably corrupt, heh).