The Boy and I were immediately drawn to this film of heroism, which turned out to be a first for us: Instead of Japan invading Korea, it was China invading them! This was a rare triple-feature for us: We actually queued up this, followed by the historical drama Fengshui, and topped it off with the modern thriller, The Negotiation. We haven’t done a three-fer since the days of the After Dark Horror Fest 4 back in 2010! And this time, we had company as he brought His Girl. (The Flower would’ve liked to see one or more of these films, but she’s way too busy for a triple feature these days. As am I, but that’s another story.)
So, the short capsule is this: The Great Battle is the Korean version of 300. It is the story of an outnumbered, outmatched army of 5,000 that staves off the Chinese Tang army of 100,000 (or is it 500,000?) that has been sweeping the land. This is so obviously inspired by 300, at a crucial scene when a character tries to kill the Tang General, she misses in exactly the same way and the General suddenly has a cadre of Persian Immortals at his side to protect him.
I mean, I presume they’re not really Persian Immortals, but we they are masked bodyguards, and the masks look a lot like the Immortals’, and we never see them up to that point, and they have little or no bearing after that point. I believe this is director Kwang-shik Kim’s way of saying, “Yes, you’ve seen it before—but you’ve never seen it in Korean!”
This story is a bit different because it involves (as all Korean films must) incomeptence at the highest levels of government. The great Korean general has overthrown the king, and then led his troops into open battle against the far superior Tang army. Having suffered defeat, and seeing the forts along the Chinese/Korean border fall quickly to the enemy’s might, the petulant Korean general sends one of his soldiers back to his home town, Ansi with a simple mission: Kill the holder of that fort, Yang Man-chun, and evacuate.
Yang Man-chun, it seems, defied the general and refused to bring his troops to the battle (where they would’ve been slaughtered). Our hero goes back to his homeland—his people are dead for some reason, however—and ingratiates himself into the chain of command. The two spies who are with him are summarily executed, but he is left alive and actually becomes the flag-bearer and right-hand man to Yang Man-chun—who knows exactly why he’s there.
Yang Man-chun undergoes a lot of struggle and doubt on his mission, as you might imagine, but of course he is won over by loyalty to his home town, and to Man-chun who claims to never have been disloyal, only sensible. The siege of Ansi is colorful and exciting, with some great historical material which (The Boy and I thought) was probably wholly anachronistic. But this is meant to be fun, and stirring, not a documentary and the movie lets you know this early on.
Man-chun’s daughter is the head of his all-female crossbow corp, who’s also in love with the head of the elite swordsmen. The head of the elite swordsmen has personality conflicts with the dual-axe-wielding barbarian squad. The town oracle, captured by the Tang, is the former girlfriend of Yang Man-chun has visions of the future which start with the defeat of the Chinese—but end with the fall of Ansi, and with treachery. Oh, and there’s a magic bow of legend no one can pull.
It’s just fun of the sort that we’re not allowed to have any more in the USA. (300 is just one of a great many stirring historical events which are not permissible in the current environment.) We loved it, and probably enjoyed it the best of the three films, though Fengshui was also a strong contender for best of the day.
I liked the actors, but I didn’t really recognize them except the gorgeous Seol-Hyun Kim (Memoir of a Murder). I thought the CGI would be a little cheesier but it actually looked better than I expected. (A problematic effect in the trailer looked like it didn’t make it to the final cut.)
It’s fun. Check it out!